Provenance: Acquired from the Finale Art Gallery, as evidenced
by gallery markings on the back of the frame

Literature: Roces, Alfredo R. Kiukok: Deconstructing Despair. Finale Art Gallery. Mandaluyong City. 2000. p. 291

ABOUT THE WORK

In the 1980s, Ang Kiukok’s artistic practice continued to become even more refined. He would exhibit at the Mori Gallery in Japan as well as the Asia World Art Gallery in Taipei, apart from various one-man shows in Manila and Davao City. The Seated Figure is one of his most classic series; this one is more sinuous, however, as the figure curls in the fetal position. His legs are drawn to his chest and head bowed. Is he dreaming the sleep of innocence or protecting himself from despair? Has he chosen to be unaware or are his senses doubly heightened? The oversized hands and feet, however, hint at strength and power, but are depicted here as controlled and quiet. Ang Kiukok, as usual, is a master of such contrasts. (Lisa Guerrero Nakpil)